BIBLIOGRAPHY
2012
Matthew Mason, ‘Beyond Likeness: Contemporary Portraits’, Eyeline, no. 77
Elizabeth Fortescue, ‘Boldly facing a video world’, The Daily Telegraph, Sydney, August 22
Martine Holberton, ‘Daniel Crooks’ Remapping at Anna Schwartz’, Broadsheet Sydney, August 21
Michael Fitzgerald, ‘Video art that warps time’, Financial Review, August 18
Mitchell Oakley Smith, ‘In Conversation: Daniel Crooks’, Manuscript, August 1
Emily Cormack, ‘12th Adelaide Biennial of Australian Art’, Frieze, no.148, June, July, August
Tracey Clement, The New MCA: Making Every Second Count’, Art Guide Australia, April
2011
Sallie Don, ‘Seeking stillness in movement’, The Australian, November 21
Raymond Gill, ‘Our top 10 artists’, The Sunday Age, November 13
Video, an Art, a History 1965-2010: A selection from the Centre Pompidou and Singapore Art Museum Collections, Singapore Art Museum, Singapore, pp 93-94
2010
Monanisms, The Museum of Old and New Art opening exhibition catalogue, MONA Publications, Australia
Cubism & Australian Art, ex. cat., Heide Museum of Modern Art, Melbourne University Publishing
Ranjit Hoskote, ‘Global art and lost regional histories’, Contemporary Visual Art +Culture, Broadsheet, Volume 39.2, June
Edward Colless, ‘Critic’s Choice’, Australian Art Collector, issue 53, July - September
2008
Justin Paton, ‘information on the edge’, Adrian Martin, ‘tracks’, David Pagel, ‘warpspace’, Sean Cubitt, ‘timecode’, Daniel Crooks: everywhere instantly, Christchurch Art Gallery, exhibition catalogue Robert Nelson, ‘Sport: where we all find our inner idiot’, The Age, Metro, August 13
Michael Shmith, ‘By hook or by Crooks: art the winner in ‘photo finish’, The Age, August 1
Corrie Perkin, ‘Photo finish a winning line as sport meets art’, The Australian, August 1
Harbant Gill, ‘Dan sprints to a win’, Herald Sun, August 1
2007
Sebastian Smee, ‘Against the Grain’, The Australian, December 15
Julianne Pierce, ‘Daniel Crooks’, Artlink, vol 27, no.3, September
Cover Image Portrait No.2 (Chris), Artlink, vol 27, no.3, September
Patricia Maunder, ‘Artists in the frame’, The Age, July 24
Russell Storer, ‘Daniel Crooks’, Untitled, Portraits of Australian Artists, Macmillan Art Publishing, Melbourne
‘Imaginary objects’, Photofile, Spring
Tracey Clement, ‘Eternal Beautiful Now’, Artlink, vol. 27, no. 3, September
Melissa Hart, ‘Interactive playground’, Artnotes (Victoria), Art Monthly Australia, no. 203, September
Tania Doropoulos, ‘Art movement: Explorations of motion and change’, Reviews, Eyeline, no. 63, winter
Kim Machan, ‘Figuratively speaking …’, Artnotes (QLD), Art Monthly Australia, no. 200, June
Tracey Clement, ‘Eternal beautiful now’, Metropicks, Sydney Morning Herald, 25–31 May
George Alexander, ‘Daniel Crooks’s optical allusions’, one step forwards, one frame backwards, catalogue essay, Sherman Galleries, Sydney
2006
Edward Colless, ‘Time Lord’, Australian Art Collector, issue 40, April–June
‘Artnews 2006: Australian art on the international scene’, Art & Australia, vol. 44, no. 2, summer
Gail Priest, ‘On perspective and Motion (part 2)’, Real Time, no.77, February-March
Nicholas Chambers, 'Thoughts on duration' in ‘On perspective and Motion (part 2)’, Anne Landa Award, catalogue essay, Art Gallery of New South Wales, Sydney
Natasha Bullock, ‘Moving images: Anne Landa Award for video and new media arts’, Look, Art Gallery Society of New South Wales, November
Sebastian Smee, ‘Not one of Pavlov’s dogs’, Visual Arts, Weekend Australian, 7–8 October
Annemarie Lopez, ‘Art movement’, The (Sydney) Magazine, Sydney Morning Herald, issue 39, July
Sebastian Smee, ‘No bull, kids go for video’, The Australian, July 31
Laura Murray Cree (ed.), Twenty: Sherman Galleries 1986–2006, Craftsman House/Thames & Hudson, Melbourne
2005
Daniel Palmer, 'Spaces', Photogenic: Essays, Photography, CCP 2000-2004
Shiralee Saul, 'The art of playing up', Under the Radar, catalogue essay, Experimenta
David Teh, 'Daniel Crooks: Editing Suite aesthetics', A small section of something larger,
catalogue essay, Sherman Galleries, Sydney September
Russell Storer, 'Video in the expanded field: Three recent examples of Australian video installation', Art & Australia, vol. 42, no. 4, winter
Darren Levin, 'Time Warper', The Age, 29 September
Harbant Gill, 'View from a train', Herald Sun, 7 September
Emma McRae (ed.), Vanishing Point, exh. cat. Sherman Galleries, Sydney
Janne Ryan, 'The rise of video art', Weekend Australian Financial Review, 21-22 May 2005
Peter Timms, 'In search of nature', Great Escapes, catalogue essay, Lake Macquarie City Art Gallery, New South Wales, 2005
Alessio Cavallaro and Alexie Glass, World without end, catalogue essay, Australain Centre for the Moving Image, April 2005
Carmel Dwyer, 'Daniel Crooks', 50 of Australia's Most Collectable Artists, Australian Art Collector, issue 31, 2005
2004
Charles Green (ed.), 2004, exhibition catalogue, Australian Centre for the Moving Image (ACMI) and National Gallery of Victoria, Melbourne, 2004
Georgina Safe, 'From a different cloth', Arts, Weekend Australian, 30-31 October 2004
Rachel Kent, 'Video: Medium of the moment', Visual Art, RealTime, no. 62, August-September
Therese Sweeny, 'Through a digital prism: Timeslice', RealTime, www.realtimearts.net
Simon Blond, 'Drift towards innovation', Arts, West Australian, September 18
Felena Alach, 'Tricks of technology', Creative Spaces, Shout, September - October
James Norman, 'Spot the train', Age, July 17 2004
Alexie Glass, I thought I knew but I was wrong: New Video Art from Australia, exhibition catalogue, ACMI, Melbourne, 2004
Sunanda Creagh, 'All Mix-ed up', Spotlight, Sydney Morning Herald, 7 June 2004
Simeon Kronenberg, 'Mix-ed: Diverse practice and geography', MIX-ED, exhibition catalogue,
Sherman Galleries, Sydney, 2004
Robert Cook, 'The drifter', Drift, catalogue essay, Perth Institute of Contemporary Art (PICA), Perth, 2004
Bec Dean, 'Drift', Drift, exhibition catalogue, Perth Institute of Contemporary Art (PICA), Perth
2004
Russell Smith, Crypto-Realism, Art Monthly Australia, no. 168, April 2004
Tracey Clements, 'Review, Primavera 2003', Artlink, vol. 24, no. 1, 2004
Russel Smith, 'Review, Primavera 2003', Broadsheet, vol. 32, no. 4, 2004
Emma McRae, 'Profile: Daniel Crooks', Experimenta, Mesh 17, New Media Art in Australia and Asia, 2004 http://www.experimenta.org
2003
Julianne Peirce, Primavera 2003, exhibition catalogue, Museum of Contemporary Art, Sydney, 2003
Mike Leggett, 'Software imaging synthesis', Photofile, 68, April 2003
Robert McFarlane, 'Images of humanity in the changing eye', Sydney Morning Herald, 26 February 2003
Anna Maria Guasch, 'Comer con los ojos' (Banquete, metabolismo y comunicacón), Institut de Cultura, 1 March 2003
2002
Dr Marcus Bunyan, 'Spaces that matter: awareness and entropia in the imaging of place', 2002
James Robertson, 'The return of time', RealTime No51, October-November
2000
Philippa Hawker, 'Moving with the times', Review, Age, 15 June 2000
