BIBLIOGRAPHY
2013
Melbourne Theatre Company, ‘Feature: Callum Morton’, Inside MTC, February 20
2012
Stuart Harrison, ‘Callum Morton: the Real and the Virtual Together’, AR 125: Architecture and the Arts, 2012
Helen Hughes, ‘Aestheticising Architecture / Architecturalising Aesthetics: Callum Morton and Bianca Hester’. Discipline # 2. Autumn
Art Collector, ‘Callum Morton’, Art Collector, July – Sept
2011
Bulent Erkmen, ‘Unexpected Encounters: Situations of Contemporary Art and Architecture Now since 2000.’ BEK Press, Zorlu Center, Turkey
Peta Carlin, ‘A Past Future’. AA Nov/Dec
Linda Michael , Jusin Paton, ‘In Memoriam.’ Exhibition Catalogue. Heide Museum of Modern Art
Raymond Gill, ‘Leaders of the pack: the artists who matter’, The Sunday Age-Extra, November 13
Megan Backhouse, ‘Callum Morton: In Memoriam’, Art Guide, Sept/Oct
2010
Charlotte Day, ‘MUMA on the move’, Art & Australia, issue 48 number 2
Chris Driessen, ‘Grotto’, Exhibition Catalogue, Fundament Foundation, Netherlands
Felicity Scott, ‘Unsettlement’, Before and After Science: Adelaide Biennial of Australian Art, AGSA, Adelaide
2009
Juliana Engberg, The Dwelling , ex. cat., ACCA, Melbourne
Jane Sommerville, interview with Callum Morton in Artworld, number 7, February
2008
Anna Zagala, 'Lost & Found', Art & Australia, Volume 46, number 2, Summer
Ryan Johnston, 'Lost & Found: an archeology of the present', un magazine, volume 2, issue 2, November
Geraldine Barlow, ‘Et in Arcadia Ego: Lost and Found at TarraWarra’, Art Monthly Australia, number 215
Ken Scarlett, ‘No stopping on the freeway!', Australian Art Review, August-October
Charlotte Day, Lost and Found: An Archeology of the Present, ex .cat., TarraWarra Museum of Art
Current, Contemporary Art from Australia and New Zealand, Art and Australia (eds.), Sydney
2007
Callum Morton, ‘Callum Morton,’ (artist’s statement) Art and Australia, Vol 44, no. 4, Winter, Sydney
Andrew Mackenzie, ‘Broken Homes’, Broadsheet, volume 36, number 2
Marco Marcon, ‘The Grand Tour 2007’, Eyeline, Number 64
Sebastian Smee, ‘Venice Biennale’, Artist Profile, Spring
Daniel Palmer, ‘Venice Biennale: Asia and Australasia’, Frieze, Issue 109, September
Callum Morton, ‘2007 Venice Biennale Project’, Art & Australia, Winter
Stuart Koop and Callum Morton, U3 Venice Biennale Australia 2007, Melbourne University Press
‘Venice Biennale 2007, Callum Morton's Valhalla', TATE ETC
Richard Dorment, ‘The best Venice for years’, The Telegraph, 12 June
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2007/06/12/babiennale112.xml
‘Australian Pavillion - Callum Morton’, E-Flux, 3 December
Brett Sheehy, ‘Callum Morton’, in Finalists in Arts and Entertainment for The Bulletin's ‘Smart 100: Australia's Best and Brightest', The
Bulletin, June 26
Megan Backhouse, ‘Finding space on a crowded canvas,' The Age, June 16, http://www.theage.com.au/news/arts/finding-space-on-acrowded-
canvas/2007/06/14/1181414461988.html
John McDonald, ‘Festival of False Gods', Sydney Morning Herald, June 16 - 17
Sebastian Smee, ‘Visions of Life and Death in Venice,' The Australian, 9 June
Sebastian Smee, ‘Aussie Artist takes his Valhalla to Venice', The Australian, Friday June 8
Andrew Frost, ‘Callum Morton', Australian Art Collector: 50 Most Collectable Artists 2007, Issue 39, January - March
Megan Backhouse, ‘An imagining of the Taliban at work in Toorak', Sydney Morning Herald, 7 March
Janne Ryan, ‘Interview with Callum Morton,' The Australian Financial Review Magazine, 23 February
Judith Collins, Sculpture Today, Phaidon Press
Juliana Engberg, Cinema Paradiso, ex. cat., ACCA, Melbourne
Robert Bevan, ‘art & events,’ Vogue Living Australia, January/February
‘Callum Morton’s Valhalla: Australian Pavillion’, Tate
Imogen O’Rorke. ‘Callum Morton’s Valhalla’, Londonart.co.uk http://www.londonart.co.uk/editorial/article.aspx?c=1&articleid=1759
Marcus Baumgart, ‘Valhalla’, Artichoke, A20, 2007
Daniel Pryde –Jarman, ‘Valhalla’, Interface
Jane Albert, ‘Smart 100. Arts and Entertainment’, The Bulletin, June 26th, 2007
Phil Miller, ‘Scots go for Gold in Venice’. The Herald, June 11, 2007
Richard Dorment, ‘The best Venice for Years’, The Daily Telegraph, June 12, 2007
David Cohen, ‘Pax Americana in the Serene Republic’, The New York Sun, 11 June, 2007
Richard Brooks, ‘A Funny thing happened on the way to the Biennale’, Times online, June 2007
Janne Ryan, ‘Front of Mind’, The AFR Magazine, March 2007.
Clara Iaccarino, ‘Venice here come six of the best’, Sydney Morning Herald, March 7, 2007
Silke Hohmann. ‘Die Monopol-Watchlist: Fünf Künstler die uns aufgefallen sind’, Monopol June 2007
‘The Year Ahead’, The Arts Newspaper, Jan 2007
Robert Bevan, `Art & Events,' Vogue Living Australia, January/February 2007
‘Pavillion australien’, Beaux Arts Magazine, June 2007
2006
The Unquiet World, ex. cat., Australian Centre for Contemporary Art, Melbourne
Emily Dunn, ‘Tent embassy goes global as Venice sees Australia in three dimensions', The Sydney Morning Herald, Wednesday, May 24
High Tide: new currents in art from Australia and New Zealand, ex. cat., Contemporary Art Centre, Vilnius and Poland, Warsaw
Melissa Miles, ‘Illusions of Grandeur, Highlights of the Melbourne International Festival Visual Arts Program’, Eyeline, #59
2005
Din Heagney, ‘Store 5 is…’, Un. Magazine, Winter 2005
Gina McColl, ‘Into the island’, The Sunday Age Preview, October 9
Robert Nelson, ‘Oasis of phantoms puts leisure world in striking relief’, The Age, Tuesday October 11
Juliana Engberg, ‘The Body in the Box’, Art and Australia, Volume 42, No 4 Winter
Megan Backhouse, ‘Artist commissioned for ‘singing buildings’’, The Age – Metro Arts, Monday March 21, Melbourne
Ashley Crawford, ‘Who’s minding the Store?’, The Age, Saturday April 9, Melbourne
Kanika Gahlut, ‘Tomorrow’s Art’, India Today, January 17
Callum Morton, Stuart Koop, Vikram Prakash, Tomorrowland: Callum Morton, 11th Indian Triennale, ex. cat., Lalit Kala Akademi, New Delhi
Marcus Baumgart, ‘White Noise, Babylonia, Changing Spaces,’ Artichoke, number 13
Kirrily Hammond (ed.), Extra-Aesthetic: 25 views of the Monash University Collection, MUMA
Daniel Palmer, Survey Looking Back, Frieze 96
Anthony Gardner, ‘Babylonia’, Broadsheet, Vol. 34, No. 4
Stephen Naylor. ‘Letter From Istanbul’, Art Monthly Australia, Nov, No: 185.
Andrew Frost. ‘Gunslinger Shots: Le Corbusier’, state of the arts, Jan-Mar
Maxilmillien de Lafayette, ‘Art Today: People and Events -- The XIth Triennale of India: an International Art Treasure’, Art & Style Magazine
‘Australian artist exhibits images inspired by Le Corbusier's architectural designs for Chandigarh’, News Release, Australian High Commission
New Delhi, 13 January
‘New Delhi's Art Triennale builds bridges between nations of the world’, Channel News Asia, 23 January
Suneet Chopra, ‘Lessons from the Dehli Triennale’, The Financial Express (India), Sunday, January 23
Aditi Tandon, ‘Morton's prints bring irony alive in city's space alive’, Chandigarh Tribune, (India), Wednesday, January 12
‘Callum Morton takes Tomorrow Land to the 11th Indian Triennale,’ Australia Council Media Releases, 11 January
Aditi Tandon, ‘Artist uses cinema to revisit Chandigarh's architectural complexity’, Tribune News Service, Chandigarh, India, January 9
2004
Robert Nelson, ‘Bringing Ideas to Life’, The Age, September 1, A3
Dr Susan Best, ‘Sound and Light Humour’, Architecture Australia, Jan / Feb, vol. 93, no.1
Stuart Koop, ‘Don’t You Dare Touch Me’ Public / Private Tumatanui / Tumataiti The 2nd Auckland Triennial, Auckland Art Gallery
Anthony Downey, Callum Morton, Flash Art, London Eye, Nov-Dec, No 239
Georgina Safe, ‘Where icons meet irony’, The Australian, Monday August 2, (Arts)
Stephen Naylor, ‘Public/ Private Tumatauni/Tumataiti: The 2nd Auckland Triennial’, Art Monthly Australia, #170, June
Felicity Fenner, ‘Callum Morton at the Museum of Contemporary Art’, Art and America, March
Astrid Mania, ‘Strike a Pose: Australia Gives Good Face at Berlin’s Hamburger Bahnhoff’, Broadsheet, Vol 32, # 4
Richard Grayson, ‘The Downside Up Show’, Broadsheet, Vol 32, #4
2003
Karen Burns, “About Face: Art Forum, Berlin”, Monument, 58, December 2003 –January 2004
Dr. Britta Schmitz(ed.), Face Up: Contemporary Art from Australia, Nationalgalerie im Hamburger Bahnhoff, Berlin, Germany
Lenny Ann Low, ‘Miniturisation: Look closely’, Sydney Morning Herald, October 29
Juliana Engberg, ‘Loop – Back: New Australian Art to Berlin’, Artlink, vol. 23, # 3
Stuart Koop, “Callum Morton: More Talk about Buildings and Mood”, Art Matter: Museum of Contemporary Art Members’ Newsletter, Sydney
Alan Cruickshank (ed.), Blaze: Visual Art + Writing from the Contemporary Art Centre of South Australia, Contemporary Art Centre of South Australia, Parkside
Andrew Mackenzie, “Messing with Mies: Callum Morton at the NGVA”, Broadsheet: Contemporary Visual Arts + Culture, vol 32, no. 3, September – November
Greg Burke (ed.), “Come In: Interior Design as a Contemporary Art Medium in Germany”, Visit, #6, Winter/Spring
Edward Colless, "Callum Morton: Interior World", Australian Art Collector, Issue 25, July - September
Lucinda Strahan, "Small world", The Age, July 3
Megan Backhouse, "A Model Artist", The Age, May 31
Jason Smith, "Habitat", The Ian Potter Centre, NGV Australia, Melbourne
Andrew Best, “Gulliver’s Travels”, Broadsheet: Contemporary Visual Arts + Culture, vol. 32, no. 2, June, July + August
Daniel Palmer, “Callum Morton”, Frieze, #72, January – February
Davina Jackson, “21st Century House – Museum”, Australian Art Collector, Issue 23, January – March
Stephanie Radock, The Point of Knowing, Samstag Scholarship Catalogue
Stuart Koop, “Fieldwork: Australian Art 1968 – 2003”, Broadsheet: Contemporary Visual Arts + Culture, vol. 32, no. 1
Ian North, “Fieldwork”, Artlink, Vol. 23, No. 1 (review)
Jason Smith & Charles Green, Fieldwork: Australian Art 1968-2002, The Ian Potter Centre, NGV Australia, Melbourne
2002
Benjamin Genocchio, “Building on Lurid Fantasies”, The Weekend Australian, January 12 – 13
Holly Myers, “An intimate trip to dreamland”, LA Times, February 5
S. McCulloch-Vehlin, “Lunar Dreaming”, Weekend Australian, April 20
Benjamin Genocchio, “Twitchy escapist impulses”, The Weekend Australian, May 4-5
Sylvia Katz, “Learning from Callum Morton”, Arbitare, September
Robert Nelson, “Viewers take ride back to the future”, The Age, November 30
Robert Nelson, “Seeing is Believing”, The Age, November 24
Megan Backhouse, “Callum Morton, cooking with gas”, The Age, October 2
John Mangan, “Party time for an art gallery with a split personality”, The Age, November 23
Ashley Crawford, “Bilbao on the Yarra”, Financial Review, December 4
Juliana Engberg, The Heimlich Unheimlich, Melbourne Visual Arts Festival Program
Nicholas Hubicki, “Conning Icons”, Architectural Review, Australia, Spring Stuart Koop, Gulliver’s Travels, CAST, Hobart
Simon Rees, “Bittersweet”, Art + Text, #78
Wayne Tunnicliffe, Bittersweet, Art Gallery of New South Wales, Sydney
Linda Michael, People, Places and Ideas, Monash University Museum of Art, Melbourne
2001
Stuart Koop, “Crudelia?” Anno 11 nr. 1 – Gennalo – Marzo
Stuart Koop, “International Style”, Monument, 41
2000
D.J. Huppatz, “Rent”, Like, 13, Summer
Charles Green, “Callum Morton”, Artforum, March
Stuart Koop & Charlote Day, Rent, Special Issue of Øjeblikket, as exhibition catalogue May
Megan Backhouse, “Hybrid Forms under the Spotlight”, The Age, July 26
Alison Barclay, “2020 visionaries Who will be the leading Australian artists of the future?” Herald Sun, January 8
Dawn Fulcher & Max Andrews, “Rent”, Contemporary Visual Arts, 29
Stuart Koop & Briony Rhodes, “Facsimile”, Eyeline #42, Autumn / Winter
Robert Nelson, “Someone Else’s Home is Where this Art is”, The Age, September 3
Briony Rhodes, “Facsimilie”, Eyeline, 42, Autumn / Winter
Larissa Hjorth, “Mortgage”, Broadsheet, 29, no. 4, December
Callum MortonThe Retrieved Object, Linden Gallery, Melbourne
1999
Stuart Koop, “What's in the Box?", essay in catalogue Mixed Business, The Work of Callum Morton, Santa Monica Museum of Art, USA
Max Delany, “Raising the Dead An Interview with Callum Morton”, Like Art Magazine # 10, Summer
Peter Timms, “Pop reveals its simple powers of persistence”, The Age, March 24 Nicky Bird, “Hot in the City, The Queen is Dead, Where the Wild Roses Grow”, Art Monthly, UK, March
Ashley Crawford, “Signs of Strife”, The Age, May 8
Peter Timms, “Biennale plays it safe”, The Age, May
Stuart Koop, “Signs of Life Melbourne International Biennial”, Art /Text #67, p86
Joanna Murray-Smith, “The Freedom to Pursue the Art of the Matter”, The Age, 13 June
Bruce James, “Hitting the Poor Snail on the Head”, The Sydney Morning Herald, June 19
Edgar Alfonzo-Sierra, “Facsimile:Australia en copias”, El Nacional, June 30
Anna Clabburn, “Plentiful Life Signs”, The Age, June 9
Robert Rooney, “A little chaos, but definite life signs”, The Age, June
William Wilson, “Oversized Comments on Society,Success” Los Angeles Times, July 22
Yasmin Monsalve, La cultura de la copia ilega desde Australia, El Universal, July
Clayton Campbell, “Callum Morton”, Santa Monica Museum of Art, Flash Art International, 208, October
Gabriella Coslovich, “Gas and Fuel Towers are back, in miniature and on site”, The Age, November 23
Juliana Engberg, Signs of Life Melbourne International Biennial catalogue
Rachel Kent, “Strolling”, Art + Text #64
Elisabeth Mahoney, “The Queen is Dead”, Untitled #19
Modern Institute, Melbourne,Glasgow, Edinburgh (catalogue), Cultural exchange project
Daniel Palmer, Signs of Life Melbourne International Biennial, Frieze #48, October Zara Stanhope, The Persistence of Pop Works from the Monash University Collection
Susan Stewart, “Art and the Experience of Time”, Like Art Magazine No 9, Winter
Karen Burns, “Urban Unease: The Work of Callum Morton”, Backlogue Vol 3
1998
Peter Hill, “Moonlighting for Jacks of All Trades”, The Australian, March 6
David Cross, “Strolling: The art of arcades, boulevards, barricades, publicity”, Like Art Magazine No 7, Summer
Max Delany, Strolling:the art of arcades, boulevards, barricades, publicity, (catalogue), Museum of Modern Art at Heide
Adam Geczy, “Not so fine art”, Art Monthly #112, August
Sebastian Smee, Sydney Morning Herald, September 29
Robert Rooney, “Everyday is deja vu Day in Suburbia”, The Australian, October 16
Myfawny Smee, “Strolling Along”, The Age Saturday Extra, October 24
Anna Clabburn, “Three strolling artists lead the way at MOMA”, The Age, November 11
Adrian Hill, Australian Art Collecto Artfan #8 , Everybody Knows
T J McNamara, “Neo-Romantic Revival”, Art Monthly
1997
Robert Rooney, “Art-Advertising”, The Australian, March
Anna Johnson, “Young At Art”, Good Weekend, April 26
Mark Birch, “New artist-in-residence is closer to deciding New Plymouth Project”, Daily News, New Plymouth, June 27
Angela Bennie, “A Toast to final five”, The Sydney Morning Herald, July 15
Rebecca Lancashire, “When is an art prize not an art prize ?”The Age, July 16
Flash Art International, Volxxx1, No. 208,October
Deborah Hennessy, “Art Lover's Lost Highway”, Broadsheet, Vol 26 # 2,Winter
Bruce James, “Galleries”, Sydney Morning Herald, November 14
Giles Auty, “But Who Picked the Jury?” The Weekend Australian, November 15-16
Susan McCulloch, “Architectural bent puts Morton in the frame”, The Australian, Nov 21
Lara Travis, “World Speak Dumb”, Like Art Magazine No 2
Stuart Koop, “Three Quarter Time, Interview with Callum Morton”, Seppelt Contemporary Art Award (catalogue), Museum of Contemporary Art, Sydney
Evan Maloney, “Consuming Art”, Art Monthly #99
Mark Pennings, “Bright Shiny and New”, art<=> advertising, catalogue essay
Greg Burke, Feature: art, life and cinema, Govett Brewster Art Gallery, New Zealand
Greg Burke, Feature: art, life and cinema, Govett Brewster Art Gallery, New Zealand
Giovanni Intra, now and then, Govett-Brewster Art Gallery, New Zealand
Christopher Chapman, “Sculpture Snapshots”, Photofile #99
World Speak Dumb, (catalogue), Karyn Lovegrove Gallery
1996
Robert Nelson, “Fire in a Prestigious Underbelly”, The Age,15 May
Robert Rooney, “Expanded Field”, The Australian, 24 May
Simon Cooper, “the expanded field”, Like Art Magazine No 1
David Cross, “the expanded field”, Art + Text # 55
Bruce James, Sydney Morning Herald, November
Robert Schubert, “ruins in reverse”, Art + Text, #55
Susan Fereday, ruins in reverse, exhibition catalogue, RMIT Gallery
Natalie King, “Building 40 Project”, Art and Australia, vol 33 no 4
Stuart Koop, “been there”, interview in exhibition catalogue, Artspace November
1995
Bruce James, “Perspecta exhibition a hybrid exploration”, The Age, 10 February
Elwyn Lynn, “Framed witnesses defend Perspecta”, The Australian, 10 February
Robert Rooney, “Melbourne Art”, The Australian, 17 October
Robyn McKenzie, “Balcony Sculpture”, The Age, 25 October
Judy Annear, “The Making of Australian Perspecta”, Art Monthly, #75
Max Delany, “Callum Morton: Belvedere”, Australian Perspecta 95, (catalogue), Art Gallery of New South Wales
Natalie James, “Hothouse Varieties”, Art & Asia Pacific, vol 2, no 2
Stuart Koop, “Real Model World”, Art + Text, no 52
Alex Pittendrigh & Mutlu Çerkez, Callum Morton and Lyndal Walker
Claire Williamson, Object of Existence, (catalogue), Australian Centre for Contemporary Art, Melbourne
Carolyn Barnes, Perspectives, An Historical Perspective, exhibition catalogue, 200 Gertrude Street, Melbourne
1994
Circular #3, February
Sandra Bridie, “Introduction to Critical Cities”, Critical Cities, March
Natalie King, Passage: Spatial Interventions, (catalogue), Monash University Gallery, May
M. Holden, Cul-de-sac, 200 Gertrude Street, June
E. Pierini, “Passage: Spatial Interventions”, Broadsheet, vol 23, no 2, Winter
Marie Sierra-Hughes, “Cul-de-Sac”, Agenda # 38, September
Artfan #3/4, “Loop: Part One”, Melbourne, no 3/4
Artfan #2 Office
Nicholas Baume, “Room 32”, Art + Text #50
Sandra Bridie, “The Exact Moment”, Critical Cities Melbourne
Felicity Coleman, “Next Wave Festival”, Art + Text # 49
Felicity Coleman, Passage, Agenda # 38, September
M. Holden, “Loop: Part One”, Agenda # 38, September
Chris McAuliffe, “Next Wave Festival”, Art and Australia, vol 32, no 2
H. Smorgan, “Loop: Part One”, Photofile# 43
T. Mathieson, “More Next Wave Festival”, Art and Australia, vol 32, no 2
1991
Kirsten Thompson, “Charles William Gallery Review”, Transition # 36/37
