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BIBLIOGRAPHY2008Robert Nelson, ‘Putting flimsy means to grand purposes’, The Age, Wednesday, May 21 H. McDonald, B. Starr, Vivienne Shark LeWitt: Comedies & Proverbs, ex cat, Ian Potter Museum, University of Melbourne 2007 Robyn McKenzie ‘Comedies & Proverbs’, Heat 15, Giramondo Publishing, Artarmon, Sydney O. Sophia, Misc, Roslyn Oxley9 Gallery, Sydney 2006 Tony Bond & Wayne Tunnicliffe, Contemporary, Art Gallery of New South Wales, Sydney Susan McCulloch, New Encyclopaedia of Australian Art, Aus Art Editions, Fitzroy, Melbourne 2004 A. Gaynor, ‘The Decadence of the Nude’, Un Magazine, no.1 2003 A. Crawford. ‘Reorientating the Artist’, The Age, 20 September H. Fink, See Here Now: Vizard Foundation Art Collection of the 1990s, (C. McAuliffe Ed.), Thames & Hudson, Australia A. Frost, ‘It's A Beautiful Day: New Painting in Australia 2,’ Australian Art Collector (NSW Previews), Issue 23, Jan - Mar 2002 P. Hill, ‘What seems soufflé light is actually a slow roast of new-age men and women,’ Sydney Morning Herald, 18 October B. Starr, It’s a Beautiful Day : New Painting in Australia 2, ex. cat., Ian Potter Museum & Art Gallery of New South Wales 1999 J. Engberg, Signs of Life, ex. cat., Melbourne International Biennial 1997 J. Engberg, ‘Vivienne Shark LeWitt’, Art & Text, no.58, Aug- Oct 1996 D. Hart, Imagining the Real, ex. cat., Joint House Department, Parliament House, Canberra R. McKenzie, ‘Momentary Lapses into Nostalgia’, The Age, 8 May 1995 N. Cass, Vivienne Shark LeWitt, ex. cat., Roslyn Oxley9 Gallery, Sydney E. Colless, ‘Love's Limbo: Vivienne Shark LeWitt,' The Error of My Ways, Institute of Modern Art, Brisbane F. Fenner, ‘Galleries’, Sydney Morning Herald, Friday June 30 1994 R. McKenzie, Works on Paper, ex. cat., Roslyn Oxley9 Gallery D. Williams and C. Simpson, Art Now, Contemporary Art Post 1970, McGraw-Hill R. Rooney, ‘The John McCaughey Memorial Art Prize', The Weekend Australian, 5/6 March 1992 E. Sullivan, ‘Wit as Diversion/Subversion', Art Monthly, August C. France, ‘Display with designs on the viewer’, The Weekend Australian, 18/19 July 1991 M. Pennings, ‘Vivienne Shark LeWitt at Tolarno Galleries’, Agenda, May 1987 R. McKenzie, The Australian Bicentennial Perspecta, ex. cat., Art Gallery of New South Wales B. Adams, ‘Melbourne art keeps its cool’, Sydney Morning Herald, 30 May 1986 P. Cripps, Interviews With Artists, Institute of Modern Art, Brisbane C. Lumby, ‘Personal Icons', Follow Me Magazine, December 1985 R. Barden, ‘Love & Fear, Vivienne Shark LeWitt’, Tension 6 D.Kuspit, ‘Australian Visions at the Guggenheim’, Art in America, March 1984 J. Watson, ‘Urgent Images’, Art & Text, no.14 J. Annear, ‘The Allegory of Vivienne Shark LeWitt’, On The Beach, no.5 T. Maloon, ‘LeWitt and Arkely show why young artists still dare to be different’, Sydney Morning Herald, May 12 1983 B. Murphy, ‘Recent Painting in Australia’, Flash Art, January The International Trans-Avant-garde, (Ed. A. Bonita Oliva), Milan R. Barden, ‘The End of Civilization’, Tension 2 R. Rooney, ‘An unguided tour of Love Among the Ruins’, The Australian, 24 August By the artist 2008 ‘The End of Civilisation Part II: Love Among the Ruins’, When You Think About Art, (Ed. H. Vivian) Macmillan 2000 Caroline Williams, Viva Australia: Out of my mind, Robert Lindsay Gallery, Melbourne ‘Mystic Spiral 3: process’, Like Art Magazine, no. 13, Summer 1998 Sorority Virtues, Anna Schwartz Gallery, Melbourne 1997 Amadigi Poster design, Opera Theatre Company of Ireland, Melbourne Festival Cartoon illustrations, Like Art Magazine, numbers 1, 2 and 3 1996 Exactly, 200 Gertrude Street, Melbourne, June 1993 ‘Paul Taylor 1957 – 1992’, Art & Text, no.44 1990 Artist's pages, Pataphysics Issue F, Melbourne 1985 Other People, Australian Centre for Contemporary Art, Melbourne 1983 ‘In The Desert’, Stuff, August ‘Tattslotto’, Stuff, February ‘The End of Civilization Part II: Love Among the Ruins', Art & Text, no. 10, Winter 1981 ‘Why Egyptian Mods etc.', Art &Text, no. 3, Spring |