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BIBLIOGRAPHY2007Melissa Miles, ‘Peter Booth and subtleties in the epic’, Brought to Light II: Contemporary Australian Art 1966-2006, ed. Lynne Seear and Julie Ewington, Queensland Art Gallery Publishing, Brisbane 2006 Peter Hill, ‘Landscapes cloaked in winter’s splendour’, Age, July 11 Jeff Makin, ‘Lane of gloom and boom’, Herald Sun, July 17 2005 John McDonald, ‘Opposites impact’, Sydney Morning Herald, Spectrum, July 9-10 Sebastian Smee, ‘Peter Booth’, Rex Irwin Art Dealer, Sydney 2004 Natalie King, “Peter Booth” Human/Nature, Art & Australia, Vol. 41, No. 4 Winter 2004 Erica Longo, ‘A creative life: Peter Booth’s world view’, Gallery, January/February 2004 2003 John MacDonald, ‘Before and after’, The Australian Financial Review Magazine, Summer 2003 Ian North, ‘Fieldwork’, Artlink, Vol. 23, No. 1 Jason Smith, Peter Booth: Human Nature, National Gallery of Victoria, Melbourne 2002 John Buckley, Nocturne: images of night and darkness from colonial to contemporary, Mornington Peninsula Regional Gallery, Melbourne Robert Nelson, ‘Artist’s eternal struggle has its positive side’, The Age (Saturday Art), 21 July Jason Smith & Charles Green (eds.), Fieldwork: Australian Art 1968 - 2002, The Ian Potter Centre, NGV Australia, Melbourne Bala Starr, ‘New orbits in Australian Painting’, It's a beautiful day. New Paintings in Australia: 2, Art Gallery of New South Wales, Sydney 2001 Traudi Allen, Cross-currents in Contemporary Australian Art, Fine Art Publishing, Sydney 2000 Robert Nelson, ‘Thicker and thicker’, The Age, May 31 1999 Bruce James, ‘On the battlefield with Hele and Booth’, Sydney Morning Herald, 26 June 1998 Leigh Astbury, ‘The Dog in Australian Art Part 2: The Twentieth Century’, Art and Australia, vol 35, no 3 1997 Christopher Allen, Art in Australia: From Colonization to Postmodernism, Thames and Hudson London Robert Rooney, ‘Exhibitions, The Australian, 22 August 1996 Joanna Mendelssohn, ‘Peter Booth, Max Watters, Ruth Waller’, The Australian, 16 February 1995 Traudi Allen, Roar, and Quieter Moments from a Group of Melbourne Artists 1980 – 1993, Craftman House, Sydney Charles Green, Peripheral Vision: Contemporary Australian Art 1970 – 1994, Craftsman House Press, Sydney Mary Lou Jelbart, ‘A doomsday view of our world’, Herald Sun, 7 June Helen McDonald, Peter Booth: Small Paintings 1992 – 1995, Deutscher Fine Art, Melbourne Helen McDonald, ‘Madness and landscape: The art of Peter Booth in the age of unreason’, Art and Australia, vol. 33, no. 1 Robyn McKenzie, ‘Damnation, with a glimpse of salvation’ The Age, 5 July Robert Nelson, ‘Thick and thicker’, The Age (Today), 31 May 1994 ‘Booth calms down with age’, The Age, 25 July 1993 Diana Bagnall, ‘Nothing means plenty you see’, The Bulletin, 21 September R. Lindsay, ‘Myths and memory: The recent works of Peter Booth’, Peter Booth: Recent Paintings, Rex Irwin Art Dealer, Sydney Robert Lindsay, Peter Booth: Recent Paintings, Rex Inv Sydney 1990 Peter Cochrane, ‘A brush with the dark side’, Sydney Morning Herald (Good Weekend), 24 March ‘Hippies and Figurative Angst’, Adelaide Review, January Christopher Heathcote, ‘Booth unfolds a joyous aspect’, The Age, 19 August Robert Lindsay, Peter Booth: Recent Paintings, Deutscher Brunswick Street, Melbourne Pamela Williams, ‘Disturbed images on a dark trek’, Business Review Weekly, 13 April Jenny Zimmer, ‘Weather helps to paint his pictures’, Sunday Herald (Arts), 15 April 1989 R. Gascoigne, Peter Booth: Drawings 1977 – 1987, Deutscher Gertrude Street, Melbourne Arthur McIntyre, ‘A volume to rejoice’, The Age, 27 July 1988 Rupert Martin, Peter Booth: Works on Paper 1983 – 1988, Albemarle Gallery, London 1987 Sally McMillan, ‘The world hails as Australian visionary’, Weekend Australian Magazine, 21 – 22 February 1986 M. Brenson, ‘Art: Vision of Australia in Peter Booth’s works’, Origins, Originality and Beyond: The Sixth Biennale of Sydney, Biennale of Sydney Ted Gott, Backlash: The Australian Drawing Revival 1, National Gallery of Victoria, Melbourne Gerrit Henry, ‘’Peter Booth at CDS’, Art in America, vol. 74, May Andrew Kruger, ‘Fame for Peter Booth’, The Courier, Ballarat, 16 January Robyn Krause-Hale, ‘Peter Booth towards the 1990’s‘, Gallery, National Gallery of Victoria, October Muriel Reddy, ‘Peter Booth puts himself out for New York’, Herald Sun, 9 January 1985 Gary Catalano, An Intimate Australia: The Landscape and Recent Australian Art, Hale and Ironmonger, Sydney Gary Catalano, ‘Believing in evidence of the inner eye’, The Age, 3 April Rod Carmichael, “Gallery gloom shade Booth work”, Herald Sun, 5 December Grant Hannan, ‘Distributing landscapes of the mind’, The Herald, 28 November Donald Kuspit, ‘Australian visions’, Art in America, vol. 73, 1985 Donald Kuspit, ‘Australian Visions at the Guggenheim’, Art in America, vol.73, March Andrew Kruger, ‘Met buys Peter Booth work’, The Australian, 13 January Terence Maloon, ‘Australia, emotionally unbuttoned’, Sydney Morning Herald., 16 March Peter Booth: Works on Paper 1963 – 85, University Gallery, The University of Melbourne Robert Rooney, ‘Peter Booth still up with the tall poppies – precariously’, The Australian (Arts), 25 November 1984 Animal Imagery in Contemporary Art, Ballarat Fine Art Gallery Kynaston McShine, An International Survey of Recent Painting and Sculpture, Museum of Modern Art, New York Jill Montgomery, ‘Australia - The French Discovery of 1983’, Art & Text, January Jennifer Phipps, Symbols, Emblems, Signatures: Australian Drawing 1984, Govett-Brewster Art Gallery, New Zealand Jennifer Phipps, ‘Entre Deux Mondos – Australians in Paris’, The Age Monthly Review., vol 3 Private Symbol: Social Metaphor – The Fifth Biennale of Sydney, Biennale of Sydney Ltd, Sydney Diane Waldman, Australian Visions: 1984 Exxon International Exhibition, Visual Arts Board, Australia Council 1983 Bernice Murphy, Project 40: Australian Artists at Venice and Kassel, Art Gallery of New South Wales, Sydney Nancy Underhill, ’40 Ans d’Art en Austalia’, ArtPress, October 1982 Gary Catalano, Australia: Venice Biennale 1982: Works by Peter Booth and Rosalie Gascoigne, Visual Arts Board, Australia Council, Sydney Gary Catalano, ‘A Painter of our time’, Australia: Venice Biennale 1982, Visual Arts Board of the Australia Council, Sydney Eureka! Artists from Australia, ICA/Arts Council of Great Britain Robert Lindsay, The Seventies: Australian Paintings & Drawings from the Collection of the National Australia, National Banks of Australasia Ltd, Melbourne Robert Lindsay, The Seventies: Australian Paintings and Drawings from the Collection of the National Australia Bank, National Banks of Australasia, Melbourne Ronald Miller, ‘Sam Atyeo’s return, Herald Sun (You), 25 November Ronald Miller, ‘The nude: theme and variations’, Herald Sun, 2 November Bernice Murphy, ‘Painting’, Australian Review, 1982 Paul Taylor, ‘Angst in my Pants’, Art & Text, September Helen Topliss, ‘Leaves from a Dream Diary. A Note on the Art of Peter Booth’, Helix, no. 11-12 Robert Rooney, ‘The Price of Fame’, Weekend Australian, 27-28 November Graeme Sturgeon, ‘Perspecta 81: The ‘been-there-done-that’ of the New’, Art And Australia, vol. 19, no3 Preston to Philip: A Survey: 10 years of Art Education, The Reconnaissance Gallery, Melbourne 1981 Jennifer Phipps, ‘Peter Booth’, Flash Art, no, 105, December 1981-January 1982 Tim Machlan, ‘The New Age if Peter Booth’, National Times, 22-28 November Tim McLachlan, ‘The new dark age of Peter Booth, ‘Financial Review, 22 November Bernice Murphy, Australian Perspecta 1981, Art Gallery of New South Wales, Sydney Rober Rooney,’Peter Booth anticipates the holocaust’, The Age (Arts Review), 10 December Nick Waterlow, ‘Australian Perspecta 1981: A Biennial Survey of Contemporary Australian Art’, Australian Art Review, October 1980 Gary Catalano, In the Labyrinth, Visual Arts Board, Australia Council, Sydney John Colmer (ed.), The Australian Arts Today, Edward Arnold Robert Rodney, ‘Watercolours with a wallap’, The Age, 3 December 1979 European Dialogue: The Third Biennale of Sydney, Biennale of Sydney Ltd, Sydney Mary Eagle, ‘Ideologies of an art revolution’, The Age, 25 August Mary Eagle, ‘Sam sees it his way’, The Age, 10 November 1978 Mary Eagle, ‘Rivers of paint laid on by a master’, The Age, 4 October Frances Lindsay, ‘Peter Booth’, Art and Australia, vol. 16, no. 1, 1978 1977 Mary Eagle, ‘Newey’s coloured all-sorts’, The Age, 9 November 1976 Maureen Gilchrist, ‘ Fluke of finesse’, The Age, 10 November F. McCarthy, Project 12: Peter Booth, Art Gallery of New South Wales, Sydney 1971 Ann Galbally, ‘Rewards are great for patient viewer’, The Age, 11 August Bruce Pollard, ‘(interview) ‘Peter Booth: The distance is closer’, The Source, 7 September 1970 Ann Galbally, ‘A reward from the minimum, The Age, 2 September 1969 Patrick McCaughey, ‘The younger painters arouse talk’, The Age, 26 March |