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BIBLIOGRAPHY2008Darwin with Tears, 2008, ACCA, Melbourne 2002 Ros Bandt, Sound Sculpture: Intersections In Sound And Sculpture In Australian Artworks, Craftsman House Inga Conti, "Lyndal Jones alla Biennale di Venezia", Zeta Rivista International Di Poesia E Ricerche, August Bernice Murphy, Local Bearings: Veczoennections: Contemporary Artists From Australia, House of Croatian Artists, Zagreb, Croatia B. Stipancic (ed.), Veczoennections: Contemporary Artists from Australia, House of Croatian Artists, Zagreb, Croatia 2001 Katy Deepwell, "Into Deep Water: Interview with Lyndal Jones", N Paradoxa, Issue 15, London, U.K. Jeanette Hoorn, "Deep Water – The Particular Pleasures of the Art of Lyndal Jones", Art & Australia, vol 38, No. 4 Stephen Naylor, "The Australian Pavilion Dances to Lyndal Jones ’Vaporetto Vista", Australian Art Monthly, No. 141, July 2000 John Barrett-Lennard, "The Heart’s Pause: Lyndal Jones and the Flow of Time", Deep Water / Aqua Profunda, 49th Biennale of Venice, Australia Council, Sydney Margaret Plant, "Sydney/Venice: What is it about Water’", Deep Water / Aqua Profunda, 49th Biennale of Venice, Australia Council, Sydney Lesley Stern, "A Fluid Architecture", Deep Water / Aqua Profunda, 49th Biennale of Venice, Australia Council, Sydney Eric Levy, "More than meets the eye in video art", The Age, 21 July Denise Robinson, "Lyndal Jones: Demonstrations and Details from the Facts of Life", Like Art Magazine, No. 12, Winter Megan Backhouse, "Getting into Deep Water", Artforce, No. 106, Sydney 1998 Charles Esche, Boys in Loud Cars, Maclaurin Gallery, Ayr, Scotland Elizabeth Mahoney, "It’s All and Something, Fotofeis ’97", Make Magazine, London, Dec 97 – Feb 98 J. Mason, "Paradise, Kwangju", International Contemporary Art, Issue 55, Toronto, Canada 1997 Steven Bode & Charles Esche, "Escaping Gravity", Video Positive, '97 FACT, Bluecoat Chambers, Liverpool, U.K Deborah Clark, "Spitfire 1 2 3: The Nature of Seduction", On Dialogue, Contemporary Australian Art, Haus am Waldsee, Berlin, Germany Juliana Engberg, "Achieving Open Endedness", On Dialogue, Contemporary Australian Art, Haus am Waldsee, Berlin, Germany Sonia Leber, "On Variety and Profusion", Spitfire 123 - A Performance, Lonsdale Street Power Station, Melbourne Linda Michael, "Natural Selection", in Between Art 7, Australian Perspecta, Sydney Bernice Murphy, "Polysemic Contrasts: Australian Art Presented in Germany", On Dialogue, Contemporary Australian Art, Haus am Waldsee, Berlin, Germany Tom Van Vilet, "Lyndal Jones", 15th World Wide Video Festival Press, Amsterdam, The Netherlands Sung Wan Kyung "Power in the Flux of Survival", Unmapping the Earth, ’97 Kwangju Biennale Press, Korea 1996 Vivian Bobka, "Lyndal Jones", Jurassic Technologies Revenant, Sydney Greg Burchall, "Drama beyond the theatre walls", The Age, 11 April Michael Desmond, "Lyndal Jones, From the Darwin Translations, Room with Finches", Islands: Contemporary Installations from Australia, Asia, Europe and America, National Gallery of Australia, Canberra Jeanette Hoorn, "On Longing", Art Monthly Australia, June Rachel Kent, Spitfire 123: An Installation by Lyndal Jones, Ian Potter Gallery, The University of Melbourne 1995 Merryn Gates, "Attraction Shown by Young Adults in Their Manner of Kissing Each Other A Curator's View", Sexual Play in the Galapagos Islands, An Installation by Lyndal Jones, Canberra School of Art Gallery, Australian National University, Canberra Charles Green, Peripheral Vision: Contemporary Australian Art 1970 - 1994, Craftsman House Scott McQuire, "Lyndal Jones: Sexual Play in the Galapagos Islands", Photofile, Issue #45 August 1994 John Barrett-Lennard, Negotiating Position, Adelaide Biennial of Australian Art, Adelaide Installations,Vol.1, Art Gallery of South Australia/ Adelaide Festival John Barrett-Lennard, Negotiating History... , Adelaide Biennial of Australian Art, Adelaide Installations, Vol.2, Art Gallery of South Australia/ Adelaide Festival Mary Eagle, "Shadows Cast by Others", Australian Art Monthly, April No 68 Eloise Lindsay, "The Gender of Theatrical Excess", Dissonance - Feminism and the Arts 1970 - 90 (ed) Catriona Moore, Allen & Unwin in association with Artspace Julie Ewington, "Adelaide Installations", Art Link, Vol 14 No. 2, Winter Scott McQuire, "Lyndal Jones; From the Darwin Translations", Adelaide Biennial of Australian Art, Adelaide Installations, Vol 1, Art Gallery of South Australia / Adelaide Festival Kevin Murray, 'Out of the Bunker; Review of Adelaide Installations', Broadsheet Vol 23 No. 2 Winter Daniel Thomas, 'Adelaide Installations', Adelaide Biennial of Australian Art, Adelaide Installations,Vol. 2 Art Gallery of South Australia/ Adelaide Festival Paul Taylor, 'A Culture of Temporary Culture', Art + Text, No. 16, Summer |